{"id":727,"date":"2026-08-01T16:58:35","date_gmt":"2026-08-01T14:58:35","guid":{"rendered":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/?page_id=727"},"modified":"2026-08-03T09:53:02","modified_gmt":"2026-08-03T07:53:02","slug":"issue-7-2025","status":"publish","type":"page","link":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/?page_id=727&lang=en","title":{"rendered":"Issue 7, 2025"},"content":{"rendered":"<p><span style=\"color: #008000\"><b><strong>Contents<\/strong>\u00a0of Issue 7<\/b><\/span><\/p>\n<p><a href=\"http:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/files\/2026\/03\/Verba-iuvenium_br._7_2025.pdf\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-648\" src=\"http:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/files\/2025\/05\/koritsa_Verba_2025-mini-1.jpg\" alt=\"\" width=\"210\" height=\"300\" \/><\/a><\/p>\n<p><strong>Foreword<\/strong><\/p>\n<p><strong>I. Linguistics<\/strong><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1238\/vi20246017.pdf?sequence=1&amp;isAllowed=y\"><strong>Early Attempts to Codification of the Legal Norms of the Bulgarian Literary Language (with a View to the Reduction)<\/strong><\/a><\/p>\n<p><em>Plamena Koleva<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1239\/vi20257027.pdf?sequence=1&amp;isAllowed=y\"><strong>Main Semantic Realisations of the Present Passive Participle in Contemporary Bulgarian Language \u2013 the Meanings<em>\u00a0Passivity\u00a0<\/em>and<em>\u00a0Possibility<\/em><\/strong><\/a><\/p>\n<p><em>Diana Markova<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1240\/vi20257037.pdf?sequence=1&amp;isAllowed=y\"><strong>Doublet Accusative and Dative Personal Pronouns\u00a0<em>men<\/em>\u00a0and\u00a0<em>mene<\/em>,\u00a0<em>teb<\/em>\u00a0and\u00a0<em>tebe\u00a0<\/em>according to Bulgarians\u2019 Language Sense<\/strong><\/a><\/p>\n<p><em>Kalina Sholeva<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1241\/vi20257048.pdf?sequence=1&amp;isAllowed=y\"><strong>On the Interchangeability of the Bulgarian Summative Pronouns\u00a0<em>v<\/em><em>sichki,\u00a0<\/em><em>v<\/em><em>sichkite<\/em>\u00a0and\u00a0<em>t<\/em><em>selite<\/em><\/strong><\/a><\/p>\n<p><em>Diana Androva<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1242\/vi20257057.pdf?sequence=1&amp;isAllowed=y\"><strong>Dependent Clauses in the Position of the Predicative \u2013 Specifics and Classification<\/strong><\/a><\/p>\n<p><em>Ivana Kuneva<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1243\/vi20257072.pdf?sequence=1&amp;isAllowed=y\"><strong>Realizations of Blending as a Process in Youth Slang<\/strong><\/a><\/p>\n<p><em>Tanya Todorova<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1244\/vi20257082.pdf?sequence=1&amp;isAllowed=y\"><strong>Psycholinguistic and Intercultural Aspects of the Concept of Time in Some Languages<\/strong><\/a><\/p>\n<p><em>Gabriela Damyanova<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1245\/vi20257093.pdf?sequence=1&amp;isAllowed=y\"><strong>Adverbs of Time and Place in Modern Bulgarian and Turkish<\/strong><\/a><\/p>\n<p><em>Ismail Nurula<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1246\/vi20257106.pdf?sequence=1&amp;isAllowed=y\"><strong>About Similes with Tertium Comparationis smart\/stupid in Bulgarian Language (in Comparison with Modern Greek)<\/strong><\/a><\/p>\n<p><em>Gergana Nikolova<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1247\/vi20257115.pdf?sequence=1&amp;isAllowed=y\"><strong>Iterative Verbs in Bulgarian and Their Analogues in Polish<\/strong><\/a><\/p>\n<p><em>Kristiyan Boshulski<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1248\/vi20257122.pdf?sequence=1&amp;isAllowed=y\"><strong>Verbs of Motion Used in a Figurative Sense (Russian-Bulgarian Parallels)<\/strong><\/a><\/p>\n<p><em>Gabriela Valcheva<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1249\/vi20257131.pdf?sequence=1&amp;isAllowed=y\"><strong>Notes on the Question of the Joint Use of Verb Forms in Spanish and Bulgarian Compound Sentences<\/strong><\/a><\/p>\n<p><em>Polina Tabakova<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1250\/vi20257143.pdf?sequence=1&amp;isAllowed=y\"><strong>To the Question of the Concepts of Memory and Text (in Scientific Literature in Russian and Bulgarian)<\/strong><\/a><\/p>\n<p><em>Kristiana Koleva<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1251\/vi20257157.pdf?sequence=1&amp;isAllowed=y\"><strong>How Ai Could Transform Medical English Linguistics: Biomedical Text Tokenization with Biobert of the Disease is Enemy Metaphor<\/strong><\/a><\/p>\n<p><em>Slaveyah Goranova<\/em><\/p>\n<p><strong>II. Literary Studies<\/strong><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1252\/vi20257169.pdf?sequence=1&amp;isAllowed=y\"><strong>Parody and Irony in the Genealogy of Gargantua and Pantagruel<\/strong><\/a><\/p>\n<p><em>Adriana Andreeva<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1253\/vi20257178.pdf?sequence=1&amp;isAllowed=y\"><strong>Interpretation of the Word will from Sonnet 135 by William Shakespeare in Four Bulgarian Translations<\/strong><\/a><\/p>\n<p><em>Nevena Mileva<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1254\/vi20257187.pdf?sequence=1&amp;isAllowed=y\"><strong>Beginnings and Births through Death: a Heideggerian Reading of the Child\u2019s Consciousness of Time in Charles Dickens\u2019s David Copperfield<\/strong><\/a><\/p>\n<p><em>Kristina Yasenova<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1255\/vi20257201.pdf?sequence=1&amp;isAllowed=y\"><strong>\u201eThe Beautifull Cassandra\u201d from Jane Austen \u2013 a Parody of the Parody in Novel for Entertainment<\/strong><\/a><\/p>\n<p><em>Kristin Dimitrova<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1256\/vi20257213.pdf?sequence=1&amp;isAllowed=y\"><strong>Frankenstein\u2013Shelley\u2019s Cat<\/strong><\/a><\/p>\n<p><em>Milen Kolev<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1257\/vi20257225.pdf?sequence=1&amp;isAllowed=y\"><strong>The Silent Wave and the Face of the Water in \u201cThe Lover\u201d by Marguerite Duras<\/strong><\/a><\/p>\n<p><em>Maria Gencheva<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1258\/vi20257237.pdf?sequence=1&amp;isAllowed=y\"><strong>Autotextual Leitmotifs: Thomas Mann<\/strong><\/a><\/p>\n<p><em>Ivan Georgiev<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1259\/vi20257246.pdf?sequence=1&amp;isAllowed=y\"><strong>Thomas Mann\u2019s Novel \u201cBuddenbrooks\u201d between Classical Realism and the Naturalism of Modernism<\/strong><\/a><\/p>\n<p><em>Samuil Radilov<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1260\/vi20257254.pdf?sequence=1&amp;isAllowed=y\"><strong>P<\/strong><strong>ower in the Works of George Orwell. The Panopticum in Literature and in Reality<\/strong><\/a><\/p>\n<p><em>Tihomir Alexiev<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1261\/vi20257261.pdf?sequence=1&amp;isAllowed=y\"><strong>The Problem with the Children\u2019s Empirical Knowledge in the Book Series \u201cPatilansko Tsarstvo\u201d by Ran Bosilek and The Novel \u201cEmil of L\u00f6nneberga\u201d by Astrid Lindgren<\/strong><\/a><\/p>\n<p><em>Alis Dimisheva<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1262\/vi20257268.pdf?sequence=1&amp;isAllowed=y\"><strong>To Spin Your Destiny: Observations of \u201cStarite Momi\u201d by Atanas Dalchev and \u201cPesen na Predachkite\u201d by Elisaveta Bagryana<\/strong><\/a><\/p>\n<p><em>Lydia Vasileva<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1263\/vi20257275.pdf?sequence=1&amp;isAllowed=y\"><strong>Sin and Self-Destruction in the Novel \u201cSin\u201d by Georgi Raychev<\/strong><\/a><\/p>\n<p><em>Denitsa Petrova<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1264\/vi20257288.pdf?sequence=1&amp;isAllowed=y\"><strong>Aspects of the Pathology in Blaga Dimitrova\u2019s Novel \u201eFace\u201c<\/strong><\/a><\/p>\n<p><em>Bozhana Boneva<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1265\/vi20257297.pdf?sequence=1&amp;isAllowed=y\"><strong>The Bloom of the Desert. The Matter of the Mission of the Artist in the Novel \u201eThe Green Grass of the Desert\u201c by Diko Fuchedzhiev<\/strong><\/a><\/p>\n<p><em>Boris Biserov<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1266\/vi20257304.pdf?sequence=1&amp;isAllowed=y\"><strong>Manifestations of Neorealism in the Novella \u201cAlienation\u201d and the Screenplay \u201cA Peasant on a Bicycle\u201d by Georgi Mishev<\/strong><\/a><\/p>\n<p><em>Ivan Savov<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1267\/vi20257313.pdf?sequence=1&amp;isAllowed=y\"><strong>Desemantization of the Aesthetics of Decadence in \u201cThe Crimson Book of Blushing\u201d by Lyubomir Milchev<\/strong><\/a><\/p>\n<p><em>Silvia Nikolova<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1268\/vi20257322.pdf?sequence=1&amp;isAllowed=y\"><strong>Modeling of the Man from the One State in the Novel \u201cWe\u201d by Y. Zamyatin<\/strong><\/a><\/p>\n<p><em>Ivan Ananiev<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Contents\u00a0of Issue 7 Foreword I. Linguistics Early Attempts to Codification of the Legal Norms of the Bulgarian Literary Language (with&hellip;<\/p>\n","protected":false},"author":44,"featured_media":0,"parent":39,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"categories":[],"_links":{"self":[{"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=\/wp\/v2\/pages\/727"}],"collection":[{"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=727"}],"version-history":[{"count":2,"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=\/wp\/v2\/pages\/727\/revisions"}],"predecessor-version":[{"id":746,"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=\/wp\/v2\/pages\/727\/revisions\/746"}],"up":[{"embeddable":true,"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=\/wp\/v2\/pages\/39"}],"wp:attachment":[{"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=727"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}