{"id":568,"date":"2023-07-10T08:33:59","date_gmt":"2023-07-10T06:33:59","guid":{"rendered":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/?page_id=568"},"modified":"2023-07-10T09:27:38","modified_gmt":"2023-07-10T07:27:38","slug":"issue-5-2023","status":"publish","type":"page","link":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/?page_id=568&lang=en","title":{"rendered":"Issue 5, 2023"},"content":{"rendered":"<p style=\"text-align: left\"><span style=\"color: #008000\"><b><strong>Contents<\/strong> of Issue 5<\/b><\/span><\/p>\n<p><a href=\"http:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/files\/2023\/05\/Verba-iuvenium_br._5.pdf\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-531\" src=\"http:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/files\/2023\/05\/koritsa_Verba_2023-213x300.png\" alt=\"\" width=\"213\" height=\"300\" srcset=\"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/files\/2023\/05\/koritsa_Verba_2023-213x300.png 213w, https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/files\/2023\/05\/koritsa_Verba_2023.png 564w\" sizes=\"(max-width: 213px) 100vw, 213px\" \/><\/a><\/p>\n<p><strong>Foreword<\/strong><\/p>\n<p><strong>I. Linguistics<\/strong><\/p>\n<p><em>Velichka Ilieva<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1174\/V.%20Ilieva_17%20%e2%80%93%2027.pdf?sequence=1&amp;isAllowed=y\"><span style=\"color: #008000\"><strong>In Search of the Lost Words or on the Filling of Gaps in the Text of Hrelyo\u2019s Epitaph<\/strong><\/span><\/a><\/p>\n<p><em>Hristiyana Topuzova<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1167\/H.%20Topuzova_28%20%e2%80%93%2045.pdf?sequence=1&amp;isAllowed=y\"><strong><span style=\"color: #008000\">Observations on the Functioning of the Abbreviated Infinitive in the Modern Bulgarian Language<\/span><\/strong><\/a><\/p>\n<p><em>Vasil Stamenov<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1175\/V.%20Stamenov_46%20%e2%80%93%2057.pdf?sequence=1&amp;isAllowed=y\"><span style=\"color: #008000\"><strong>Distribution of the Direct Evidence Forms from the Type <em>shte pisheh, shteshe da pisha, shte byah pisal, shteshe da sam pisal<\/em><\/strong><\/span><\/a><\/p>\n<p><em>Diana Markova<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1166\/D.%20Markova_58%20%e2%80%93%2072.pdf?sequence=1&amp;isAllowed=y\"><span style=\"color: #008000\"><strong>Description of the &#8211;<em>m\/-em<\/em> Deverbatives in the Bulgarian Grammatical Studies after the Bulgarian Ortography Reform in 1945 until Nowadays<\/strong><\/span><\/a><\/p>\n<p><em>Stefani Troyanska<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1173\/S.%20Troqnska_73%20%e2%80%93%2080.pdf?sequence=1&amp;isAllowed=y\"><strong><span style=\"color: #008000\">\u041en the Peculiar Case of the Functioning of the Definite Article (Definiteness ~ Indefiniteness) in Contemporary Bulgarian Media<\/span><\/strong><\/a><\/p>\n<p><em>Kremena Dulgerova-Uzunova<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1168\/K.%20D-Uzunova_81%20%e2%80%93%2090.pdf?sequence=1&amp;isAllowed=y\"><strong><span style=\"color: #008000\">On the Morphological Peculiarity of an Unstudied Speech \u2013 the Speech of S. Dolen, Zlatogradsko<\/span><\/strong><\/a><\/p>\n<p><em>Polina Tabakova<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1172\/P.%20Tabakova_91%20%e2%80%93%20104.pdf?sequence=1&amp;isAllowed=y\"><strong><span style=\"color: #008000\">On the Question of the Morphological Category Plan (Taxis) in Spanish and Bulgarian<\/span><\/strong><\/a><\/p>\n<p><em>Boris Biserov, Petya Aleksandrova<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1164\/B.%20Borisov%2c%20P.%20Aleksandrova_105%20%e2%80%93%20121.pdf?sequence=1&amp;isAllowed=y\"><strong><span style=\"color: #008000\">On the Matter of the Grammaticalization of the Indefinite Article in Bulgarian Through the Juxtaposition Between English and Italian<\/span><\/strong><\/a><\/p>\n<p><em>Nikolina Mavrodieva<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1170\/N.%20Mavrodieva_122%20%e2%80%93%20133.pdf?sequence=1&amp;isAllowed=y\"><strong><span style=\"color: #008000\">The Bulgarian Elative and its Functional Equivalents in Modern German<\/span><\/strong><\/a><\/p>\n<p><em>Bozhidar Boyadzhiev<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1163\/B.%20Boqdjiev_134%20%e2%80%93%20143.pdf?sequence=1&amp;isAllowed=y\"><span style=\"color: #008000\"><strong>To the Question of Bulgarian Future Relative Tense and Its Translation Analogues in Modern Italian<\/strong><\/span><\/a><\/p>\n<p><em>Anastasia Hadzhiyska<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1162\/A.%20Hadjiiska_144%20%e2%80%93%20160.pdf?sequence=1&amp;isAllowed=y\"><span style=\"color: #008000\"><strong>Lexical Devices for Expressing Imperative Mood in Bulgarian and Russian<\/strong><\/span><\/a><\/p>\n<p><em>Daniela Ivanova<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1165\/D.%20Ivanova_161%20%e2%80%93%20170.pdf?sequence=1&amp;isAllowed=y\"><span style=\"color: #008000\"><strong>Overgeneralization and Overregularization in the Verb System of the Bulgarian Interlanguage of Foreign Medical Students<\/strong><\/span><\/a><\/p>\n<p><em>Nataliya Matseva<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1169\/N.%20Maceva_171%20%e2%80%93%20182.pdf?sequence=1&amp;isAllowed=y\"><span style=\"color: #008000\"><strong>Opportunities of Co-teaching for Increasing Cognitive Activity of Students (Integrative Approach to Learning Bulgarian and Music for the 5th Grade)<\/strong><\/span><\/a><\/p>\n<p><em>Atanas Dobrev\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1161\/A.%20Dobrev_183%20%e2%80%93%20191.pdf?sequence=1&amp;isAllowed=y\"><span style=\"color: #008000\"><strong>About Some \u201cFalse Friends of the Translator\u201d in German and Norwegian<\/strong><\/span><\/a><\/p>\n<p><em>Natasha A. Spasi\u0107<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1171\/N.%20Spasich_192%20%e2%80%93%20205.pdf?sequence=1&amp;isAllowed=y\"><span style=\"color: #008000\"><strong>How to Increase the Motivation of Students for Language Learning at an Advanced Level?<\/strong><\/span><\/a><\/p>\n<p><strong>II<\/strong><strong>. <\/strong><strong>Literary Studies<\/strong><\/p>\n<p><em>Joanna Neykova<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1176\/Y.%20Neikova_209%20%e2%80%93%20217.pdf?sequence=1&amp;isAllowed=y\"><strong><span style=\"color: #008000\">Ruins: on Walter Benjamin`s Philosophy of Language<\/span><\/strong><\/a><\/p>\n<p><em>Joanna Gudalova<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1177\/Y.%20Gudalova_218%20%e2%80%93%20225.pdf?sequence=1&amp;isAllowed=y\"><span style=\"color: #008000\"><strong>The Critic and His Journey Towards \u201cOdysseus\u201d<\/strong><\/span><\/a><\/p>\n<p><em>Silvia Nikolova<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1178\/S.%20Nikolova_226%20%e2%80%93%20234.pdf?sequence=1&amp;isAllowed=y\"><span style=\"color: #008000\"><strong>Nesho Bonchev: the Aesthete as an Artist<\/strong><\/span><\/a><\/p>\n<p><em>Kristina Georgieva<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1179\/K.%20Georgieva_235%20%e2%80%93%20241.pdf?sequence=1&amp;isAllowed=y\"><span style=\"color: #008000\"><strong>How the Religious and the Scientific Interact? (Petar Beron \u2013 \u201eThe Flood, His Reason, Action and Consequence\u201d)<\/strong><\/span><\/a><\/p>\n<p><em>Daniel Asenov<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1180\/D.%20Asenov_242%20%e2%80%93%20250.pdf?sequence=1&amp;isAllowed=y\"><strong><span style=\"color: #008000\">How to Become a Writer? Georgi Rakovski and Petko Slaveykov. The Different Strategies of Autorepresentation<\/span><\/strong><\/a><\/p>\n<p><em>Iliya Tochev<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1181\/I.%20Tochev_251%20%e2%80%93%20265.pdf?sequence=1&amp;isAllowed=y\"><span style=\"color: #008000\"><strong>\u00a0\u201cParadise isn&#8217;t for the Likes of Me\u201d or the Aerial Toll-houses of the Foreigner in the Existance<\/strong><\/span><\/a><\/p>\n<p><em>Maria Kostova<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1182\/M.%20Kostova_266%20%e2%80%93%20273.pdf?sequence=1&amp;isAllowed=y\"><span style=\"color: #008000\"><strong>In the Paradoxical World of Shadows (Shadows by Yavorov \u2013 Motifs and Problems)<\/strong><\/span><\/a><\/p>\n<p><em>Elina Venkova<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1183\/E.%20Venkova_274%20%e2%80%93%20280.pdf?sequence=1&amp;isAllowed=y\"><span style=\"color: #008000\"><strong>Boredom Creates Diabolical Dreams<\/strong><\/span><\/a><\/p>\n<p><em>Boris Biserov, Viktoriya Ivanova<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1184\/B.%20Borisov%2c%20V.%20Ivanova_281%20%e2%80%93%20289.pdf?sequence=1&amp;isAllowed=y\"><span style=\"color: #008000\"><strong>The Role of Two Symbols in Vaptsarov\u2019s Poetry<\/strong><\/span><\/a><\/p>\n<p><em>Simona Haltakova<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1185\/S.%20Haltakova_290%20%e2%80%93%20297.pdf?sequence=1&amp;isAllowed=y\"><span style=\"color: #008000\"><strong>\u00a0\u201cTobacco\u201d Dimitar Dimov and \u201cThe Trembling of a Leaf: Little Stories of the South Sea Islands\u201d Somerset Maugham \u2013 a Trial for a Dialogue<\/strong><\/span><\/a><\/p>\n<p><em>Ivana Vitanova<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1186\/I.%20Vitanova_298%20%e2%80%93%20309.pdf?sequence=1&amp;isAllowed=y\"><span style=\"color: #008000\"><strong>Animal References in Blaga Dimitrova\u2019s Novel \u201cLitse\u201d<\/strong><\/span><\/a><\/p>\n<p><em>Lilia Trifonova<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1187\/L.%20Trifonova_310%20%e2%80%93%20320.pdf?sequence=1&amp;isAllowed=y\"><span style=\"color: #008000\"><strong>The Beheading: Salome\u2019s Gesture in the Works of Wilde, Moreau and Beardsley<\/strong><\/span><\/a><\/p>\n<p><em>Iva Stefanova<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1188\/I.%20Stefanova_321%20%e2%80%93%20329.pdf?sequence=1&amp;isAllowed=y\"><span style=\"color: #008000\"><strong>The Monstrous Double. The Tailors\u2019 Dummies of Bruno Schulz<\/strong><\/span><\/a><\/p>\n<p><em>Elena Mincheva<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1189\/E.%20Mincheva_330%20%e2%80%93%20341.pdf?sequence=1&amp;isAllowed=y\"><span style=\"color: #008000\"><strong>Dario Fo on the Bulgarian Scene \u2013 Research Trajectories and Analytical Perspectives<\/strong><\/span><\/a><\/p>\n<p><em>Dimitar Karamitev<\/em><\/p>\n<p><a href=\"https:\/\/lib.uni-plovdiv.net\/bitstream\/handle\/123456789\/1190\/D.%20Karamitev_342%20%e2%80%93%20354.pdf?sequence=1&amp;isAllowed=y\"><span style=\"color: #008000\"><strong>Major and Mayor \u2013 on Two \u2018Truths\u2019 in Hardy\u2019s Novels<\/strong><\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Contents of Issue 5 Foreword I. Linguistics Velichka Ilieva In Search of the Lost Words or on the Filling of&hellip;<\/p>\n","protected":false},"author":44,"featured_media":0,"parent":39,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"categories":[],"_links":{"self":[{"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=\/wp\/v2\/pages\/568"}],"collection":[{"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=568"}],"version-history":[{"count":2,"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=\/wp\/v2\/pages\/568\/revisions"}],"predecessor-version":[{"id":574,"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=\/wp\/v2\/pages\/568\/revisions\/574"}],"up":[{"embeddable":true,"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=\/wp\/v2\/pages\/39"}],"wp:attachment":[{"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=568"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}