{"id":511,"date":"2022-06-30T17:06:27","date_gmt":"2022-06-30T15:06:27","guid":{"rendered":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/?page_id=511"},"modified":"2023-10-08T15:18:27","modified_gmt":"2023-10-08T13:18:27","slug":"issue-4-2021","status":"publish","type":"page","link":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/?page_id=511&lang=en","title":{"rendered":"Issue 4, 2021"},"content":{"rendered":"

Contents<\/strong>\u00a0of Issue 4<\/b><\/p>\n

\"\"<\/a><\/p>\n

Foreword<\/strong><\/p>\n

I. Linguistics<\/strong><\/p>\n

Gergana Georgieva<\/em><\/p>\n

The Nouns of\u00a0\u044c\u043d\u0438\u043a\u044a\/-\u0435\u043d\u0438\u043a\u044a<\/em>\u00a0\u00a0in the Old Bulgarian Translation of the Catecheses of Saint Cyril Jerusalem (GIM. SYN. 478)<\/strong><\/a><\/p>\n

Radostina Koleva<\/em><\/p>\n

On the Question of the Gender Defectivity of the So Called Collective Nouns<\/strong><\/a><\/p>\n

Diana Markova<\/em><\/p>\n

Main Periods in the Research of the Present Passive Participle in the Bulgarian Grammatical Studies from the Middle of the 19th<\/sup>\u00a0to the Middle of 20th<\/sup>\u00a0Century<\/strong><\/a><\/p>\n

Vasil Stamenov<\/em><\/p>\n

Observations on the Functioning of the Peripheral Evidential Modifiers in Modern Bulgarian<\/strong><\/a><\/p>\n

Krasilina Koleva-Kostova<\/em><\/p>\n

On the Scope and Depth in the Complex Compound Sentence \u2013 Parallel Observations<\/strong><\/a><\/p>\n

Zhaneta Andreeva<\/em><\/p>\n

Methods for Identification of Cognitive Metaphors in Political Speech<\/strong><\/a><\/p>\n

Desislava Dimitrova<\/em><\/p>\n

Morphological Structure of Past Participles (Analogues of Bulgarian Participial Morphemes in French, English, and German)<\/strong><\/a><\/p>\n

Sema Kutsarova<\/em><\/p>\n

Word Formation Models of Deverbal Nouns\u00a0Nomina Professionalis<\/em>\u00a0in Turkish and Bulgarian Language<\/strong><\/a><\/p>\n

Polina Tabakova<\/em><\/p>\n

On the Question of the Place of the Aorist and the Imperfect and Their Opposition in the Temporal System of Spanish and Bulgarian<\/strong><\/a><\/p>\n

Simona Haltakova<\/em><\/p>\n

Retelling in Modern Bulgarian and Its Functional Equivalents in English<\/strong><\/a><\/p>\n

Radoslava Koleva<\/em><\/p>\n

A White Slave or a Victim of a Human Trafficking \u2013 a Language Depiction of a Certain Crime<\/strong><\/a><\/p>\n

Evgenia Miteva<\/em><\/p>\n

About the Translation and Translation Transformations in the Slovak Novel \u201cThree Chestnut Horses\u201d by Margita Figuli<\/strong><\/a><\/p>\n

Jelena Pavlovi\u0107 Jovanovi\u0107<\/em><\/p>\n

The Subordinate Clause in Grammars from the 19th<\/sup>\u00a0Century<\/strong><\/a><\/p>\n

Viktoriya Ivanova<\/em><\/p>\n

A Look at a Popular Psycholinguistic Experiment<\/strong><\/a><\/p>\n

Nataliya Matseva<\/em><\/p>\n

Creative Explosion in a Bulgarian Language Class in 6th<\/sup>\u00a0Grade, or How to Activate the Learning Process by Mapping Ideas with the Help of Mind Maps<\/strong><\/a><\/p>\n

Daniela Ivanova<\/em><\/p>\n

Corpus Approach in the Study of the Language Deviations in Bulgarian as a Foreign Language<\/strong><\/a><\/p>\n

II<\/strong>.\u00a0<\/strong>Literary Studies<\/strong><\/p>\n

Svetoslav<\/em>\u00a0Stoychev<\/em><\/p>\n

Text and Image \u2013 Bruegel and \u201cMetamorphoses\u201d<\/strong><\/a><\/p>\n

Joanna Neykova<\/em><\/p>\n

The Romantic Fragment and the Fragmentary Mode of Writing<\/strong><\/a><\/p>\n

Barbara Miteva<\/em><\/p>\n

Who are you?<\/em>: Alice on a Journey to Her Self<\/strong><\/a><\/p>\n

Ivan Georgiev<\/em><\/p>\n

Hetaera Esmeralda<\/em>. The Disease Cipher in \u201cDoctor Faustus\u201d (Thomas Mann)<\/strong><\/a><\/p>\n

Dimitar<\/em>\u00a0Karamitev<\/em><\/p>\n

Photographic Sensibilities in Two Early Novels by Thomas Hardy<\/strong><\/a><\/p>\n

Francheska<\/em>\u00a0Zemyarska<\/em><\/p>\n

The Tenth Mask in the Structure of \u201cFires\u201d<\/strong><\/a><\/p>\n

Venesa<\/em>\u00a0Nacheva<\/em><\/p>\n

The Ideology of Otherness: The Image of the Mother in the Poetry of Eugeniusz Tkaczyszyn-Dycki<\/strong><\/a><\/p>\n

Nedyalko<\/em>\u00a0Zhelev<\/em><\/p>\n

The Past and Present in the (Anti)military Novels of Josip Mlaki\u0107<\/strong><\/a><\/p>\n

Monika Galabova<\/em><\/p>\n

Fiction and\/or Reality. Critical Readings of\u00a0the Sinistra Zone<\/em>\u00a0by \u00c1dam Bodor<\/strong><\/a><\/p>\n

Yves-Christian Angelov<\/em><\/p>\n

Terrorism and Interpretation<\/strong><\/a><\/p>\n

Simona-Aleks<\/em>\u00a0Mihaleva<\/em><\/p>\n

Word as Graphics \u2013 the Graphic Presentation of the Minimalistic Stories in Serbian Literature from the End of the 20th Century<\/strong><\/a><\/p>\n

Iva Stefanova<\/em><\/p>\n

The Utopian Space of the Kunstkammer<\/strong><\/a><\/p>\n

Simeon Ganev<\/em><\/p>\n

The Film Genre Situation Comedy. Genre Characteristics and Challenges for the Translator<\/strong><\/a><\/p>\n

Svidna Mihaylova<\/em><\/p>\n

Analysis of Two Bulgarian Translations of the Poem \u201cDon Quixote\u201d by Dmitry Merezhkovsky<\/strong><\/a><\/p>\n

Ivana Vitanova<\/em><\/p>\n

\u201cTi sne ot nebesata plamak\u2026\u201d \u2013 the Prometheus Complex and Pencho Slaveykov\u2019s Works<\/strong><\/a><\/p>\n

Iliyan<\/em>\u00a0Karaboychev<\/em><\/p>\n

(Pre)knowledge \u2013 a Curse and\/or Mission in Atanas Dalchev and Dimitar Pantaleev`s Poetry<\/strong><\/a><\/p>\n

Iliya Tochev<\/em><\/p>\n

Sin and Alienation (Comparative Reading of the Novels\u00a0Dragon<\/em>\u00a0by Anton Strashimirov and\u00a0Sin<\/em>\u00a0by Georgi Raychev)<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Contents\u00a0of Issue 4 Foreword I. Linguistics Gergana Georgieva The Nouns of\u00a0\u044c\u043d\u0438\u043a\u044a\/-\u0435\u043d\u0438\u043a\u044a\u00a0\u00a0in the Old Bulgarian Translation of the Catecheses of Saint…<\/p>\n","protected":false},"author":44,"featured_media":0,"parent":39,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"categories":[],"_links":{"self":[{"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=\/wp\/v2\/pages\/511"}],"collection":[{"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=511"}],"version-history":[{"count":3,"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=\/wp\/v2\/pages\/511\/revisions"}],"predecessor-version":[{"id":655,"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=\/wp\/v2\/pages\/511\/revisions\/655"}],"up":[{"embeddable":true,"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=\/wp\/v2\/pages\/39"}],"wp:attachment":[{"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=511"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.uni-plovdiv.net\/verba-iuvenium\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=511"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}