{"id":727,"date":"2012-12-26T21:39:02","date_gmt":"2012-12-26T18:39:02","guid":{"rendered":"http:\/\/englishdept.slovo.uni-plovdiv.bg\/?page_id=727"},"modified":"2012-12-26T21:47:23","modified_gmt":"2012-12-26T18:47:23","slug":"publications","status":"publish","type":"page","link":"https:\/\/blogs.uni-plovdiv.net\/englishdept_slovo\/?page_id=727","title":{"rendered":"Publications"},"content":{"rendered":"<p align=\"center\"><b><br \/>\nLIST OF PUBLICATIONS AND RESEARCH PAPERS<\/b><\/p>\n<h1 align=\"center\"><b>\u00a0<\/b>Dr YANA ROWLAND<\/h1>\n<p align=\"center\"><b>Senior Lecturer in English Literature<\/b><\/p>\n<p align=\"center\"><b>English Department<\/b><\/p>\n<p align=\"center\"><b>Plovdiv University<\/b><b>, Bulgaria<\/b><\/p>\n<p>\u00a0<b>Published monograph:<\/b><\/p>\n<p><b>Rowland, Yana, <i>The Treatment of the Themes of Mortality in the Poetry of the Bront\u00eb Sisters<\/i><\/b> <b>(Plovdiv University Press, 2006); 361 pages; ISBN \u2013 13: 978-954-423-362-4.<\/b><\/p>\n<p>1.\u00a0<b><i>The<\/i><\/b><b><i> Dying<\/i><\/b><b><i>-Reviving<\/i><\/b><b><i> Texts<\/i><\/b><b><i> in<\/i><\/b><b><i> Emily<\/i><\/b><b><i> Bront<\/i><\/b><b><i>\u00eb\u2019s<\/i><\/b><b><i> Wuthering<\/i><\/b><b><i> Heights<\/i><\/b> \u2013 \u041f\u0423 \u201c\u041f. \u0425\u0438\u043b\u0435\u043d\u0434\u0430\u0440\u0441\u043a\u0438\u201d, \u041d\u0430\u0443\u0447\u043d\u0438 \u0442\u0440\u0443\u0434\u043e\u0432\u0435, \u0442. 37, \u043a\u043d. 1, 1999, \u0441. 697-701. (Annual Scientific Works of Plovdiv University in Bulgaria, vol. 37, book 1, 1999, pp. 697-701).<\/p>\n<p><b>2. <\/b><b><i>God<\/i><\/b><b><i>, Man<\/i><\/b><b><i> and<\/i><\/b><b><i> Themes<\/i><\/b><b><i> of<\/i><\/b><b><i> Mortality<\/i><\/b><b><i> in<\/i><\/b><b><i> Emily<\/i><\/b><b><i> Bront<\/i><\/b><b><i>\u00eb\u2019s<\/i><\/b><b><i> Poetry<\/i><\/b> \u2013 \u041f\u0423 \u201c\u041f. \u0425\u0438\u043b\u0435\u043d\u0434\u0430\u0440\u0441\u043a\u0438\u201d, \u041d\u0430\u0443\u0447\u043d\u0438 \u0442\u0440\u0443\u0434\u043e\u0432\u0435, \u0442. 38, \u043a\u043d. 1, 2000, \u0441. 601-610. (Annual Scientific Works of Plovdiv University in Bulgaria, vol. 38, book 1, pp. 601-610).<\/p>\n<p><b>3.\u00a0<\/b><b><i>Variations<\/i><\/b><b><i> of<\/i><\/b><b><i> the<\/i><\/b><b><i> Supernatural<\/i><\/b><b><i> in<\/i><\/b><b><i> Emily<\/i><\/b><b><i> Bront<\/i><\/b><b><i>\u00eb\u2019s<\/i><\/b><b><i> Works<\/i><\/b> \u2013 \u0414\u0435\u0440\u0436\u0430\u0432\u0438\u043d\u0441\u043a\u0438\u0435 \u0447\u0442\u0435\u043d\u0438\u044f, XXX \u041c\u0435\u0436\u0434\u0443\u0432\u0443\u0437\u0430\u0434\u0441\u043a\u0430 \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u044f \u043d\u0430 \u0421\u0430\u043d\u043a\u0442-\u041f\u0435\u0442\u0435\u0440\u0431\u0443\u0440\u0433\u0441\u043a\u0438\u044f \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442, \u0420\u0443\u0441\u0438\u044f, \u0438\u0437\u0434. 15, \u0447\u0430\u0441\u0442 I, \u043c\u0430\u0440\u0442 2001 \u0433., \u0441. 10-14. (Annual Derzhavin\u2019s Readings, University of St. Petersburg, Russia, issue 15, March 2001, pp. 10-14).<\/p>\n<p><b>4. <\/b><b><i>\u201cUnimpassioned<\/i><\/b><b><i> grief<\/i><\/b><b><i>,\u201d or<\/i><\/b><b><i> the<\/i><\/b><b><i> Self<\/i><\/b><b><i>-Alienated<\/i><\/b><b><i> Lyrical<\/i><\/b><b><i> Speaker<\/i><\/b><b><i> in<\/i><\/b><b><i> S<\/i><\/b><b><i>. T<\/i><\/b><b><i>. Coleridge<\/i><\/b><b><i>\u2019s<\/i><\/b><b><i> Dejection<\/i><\/b> \u2013 \u041f\u0423 \u201c\u041f. \u0425\u0438\u043b\u0435\u043d\u0434\u0430\u0440\u0441\u043a\u0438\u201d, 2000\u0433. \u0432: <i>Dialogues<\/i><i> \u2013 American<\/i><i> Studies<\/i><i> in<\/i><i> an<\/i><i> International<\/i><i> Context<\/i> \u2013 \u0441\u0431\u043e\u0440\u043d\u0438\u043a, \u0438\u0437\u0434\u0430\u0434\u0435\u043d \u0441 \u043f\u043e\u0434\u043a\u0440\u0435\u043f\u0430\u0442\u0430 \u043d\u0430 \u0426\u0435\u043d\u0442\u044a\u0440\u0430 \u0437\u0430 \u0430\u043c\u0435\u0440\u0438\u043a\u0430\u043d\u0438\u0441\u0442\u0438\u043a\u0430 \u0432 \u0411\u044a\u043b\u0433\u0430\u0440\u0438\u044f, (ISBN 954-91-615-1 X), \u0441. 35-40.<\/p>\n<p><b>5.\u00a0<\/b><b><i>\u201c(\u2026) a little longer on the brink of life, (\u2026),\u201d or the Anticipation of Death in the Poetry of Felicia Hemans and Anne Bront\u00eb<\/i><\/b> \u2013 \u041f\u0430\u0438\u0441\u0438\u0435\u0432\u0438 \u0434\u043d\u0438, \u041f\u0423 \u201c\u041f. \u0425\u0438\u043b\u0435\u043d\u0434\u0430\u0440\u0441\u043a\u0438\u201d, \u041f\u043b\u043e\u0432\u0434\u0438\u0432, \u0411\u044a\u043b\u0433\u0430\u0440\u0438\u044f, 2003 \u0433. (\u043f\u043e\u0434 \u043f\u0435\u0447\u0430\u0442). (Annual Scientific Works of Plovdiv University in Bulgaria, forthcoming).<\/p>\n<p><b>6. <\/b><b><i>The<\/i><\/b><b><i> Ghost<\/i><\/b><b><i>-Character<\/i><\/b><b><i>, or<\/i><\/b><b><i> Loss<\/i><\/b><b><i> and<\/i><\/b><b><i> Repetition<\/i><\/b><b><i> in<\/i><\/b><b><i> Charlotte<\/i><\/b><b><i> Bront<\/i><\/b><b><i>\u00eb\u2019s<\/i><\/b><b><i> Poetry<\/i><\/b> \u2013 \u0414\u0435\u0440\u0436\u0430\u0432\u0438\u043d\u0441\u043a\u0438\u0435 \u0447\u0442\u0435\u043d\u0438\u044f, \u0421\u0430\u043d\u043a\u0442\u043f\u0435\u0442\u0435\u0440\u0431\u0443\u0440\u0433\u0441\u043a\u0438\u0439 \u0433\u043e\u0441\u0443\u0434. \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442, \u0420\u043e\u0441\u0441\u0438\u044f, \u043c\u0430\u0440\u0442 2004 \u0433. (\u0447\u0430\u0441\u0442 III, \u0441\u0441. 42-50). (Annual Derzhavin\u2019s Readings, University of St. Petersburg, Russia, March 2004, part III, pp. 42-50).<\/p>\n<p><b>7. <\/b><b><i>\u201c\u0412\u0438\u0437\u0438\u0438 \u0437\u0430 \u0441\u043c\u044a\u0440\u0442\u0442\u0430: \u0441\u044a\u043f\u043e\u0441\u0442\u0430\u0432\u0438\u0442\u0435\u043b\u043d\u043e \u043d\u0430\u0431\u043b\u044e\u0434\u0435\u043d\u0438\u0435 \u0432\u044a\u0440\u0445\u0443 \u043d\u044f\u043a\u043e\u0438 \u043e\u0431\u0440\u0430\u0437\u0446\u0438 \u043d\u0430 \u0430\u043d\u0433\u043b\u0438\u0439\u0441\u043a\u0430\u0442\u0430 \u043f\u043e\u0435\u0437\u0438\u044f \u043e\u0442 \u0432\u0442\u043e\u0440\u0430\u0442\u0430 \u043f\u043e\u043b\u043e\u0432\u0438\u043d\u0430 \u043d\u0430 19 \u0432\u0435\u043a \u2013 \u041c. \u0410\u0440\u043d\u043e\u043b\u0434, \u0414. \u0413. \u0420\u043e\u0437\u0435\u0442\u0438, \u0423. \u041c\u043e\u0440\u0438\u0441, \u0410. \u0427. \u0421\u0443\u0438\u043d\u0431\u044a\u0440\u043d, \u0414\u0436. \u0422\u043e\u043c\u0441\u044a\u043d, \u0423. \u0425\u0435\u043d\u043b\u0438 \u0438 \u0422. \u0425\u0430\u0440\u0434\u0438\u201d<\/i><\/b> (\u043d\u0430 \u0431\u044a\u043b\u0433. \u0435\u0437\u0438\u043a) \u2013 \u041f\u0430\u0438\u0441\u0438\u0435\u0432\u0438 \u0434\u043d\u0438, \u041f\u0423 \u201c\u041f. \u0425\u0438\u043b\u0435\u043d\u0434\u0430\u0440\u0441\u043a\u0438\u201d, \u041f\u043b\u043e\u0432\u0434\u0438\u0432, \u0411\u044a\u043b\u0433\u0430\u0440\u0438\u044f, 2004 \u0433. \u041d\u0430\u0443\u0447\u043d\u0438 \u0442\u0440\u0443\u0434\u043e\u0432\u0435, \u0442. 42, \u043a\u043d. 1, 2004, \u0441. 307-314., ISNN 08610029. (<i>Visions of Death: a Comparative Study of Some Emblematic Poetical Works of late 19<sup>th<\/sup>-Century English Poetry: Arnold, Rossetti, Morris, Swinburne, Thomson, Henley, Hardy<\/i>).<\/p>\n<p><b>8. <\/b><b><i>The Place of Death in Emily Bront\u00eb\u2019<\/i><\/b><b><i>s<\/i><\/b><b><i>Idea<\/i><\/b><b><i>of<\/i><\/b><b><i>Home<\/i><\/b> \u2013 \u041f\u0430\u0438\u0441\u0438\u0435\u0432\u0438 \u0434\u043d\u0438, \u041f\u0423 \u201c\u041f. \u0425\u0438\u043b\u0435\u043d\u0434\u0430\u0440\u0441\u043a\u0438\u201d, \u041f\u043b\u043e\u0432\u0434\u0438\u0432, \u0411\u044a\u043b\u0433\u0430\u0440\u0438\u044f, 2004 \u0433. \u041d\u0430\u0443\u0447\u043d\u0438 \u0442\u0440\u0443\u0434\u043e\u0432\u0435, \u0442. 42, \u043a\u043d. 1, 2004, \u0441. 321-332. ISNN 08610029.<\/p>\n<p><b>9. <\/b><b><i>\u201c\u0414\u0438\u0445\u043e\u0442\u043e\u043c\u0438\u044f\u0442\u0430 <\/i><\/b><b><i>\u0432\u0438\u043d\u0430-\u043f\u0440\u043e\u0448\u043a\u0430<\/i><\/b><b><i> \u0432 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u043a\u0438\u044f \u0441\u0432\u0435\u0442\u043e\u0433\u043b\u0435\u0434 \u043d\u0430 \u0415\u043c\u0438\u043b\u0438 \u0411\u0440\u043e\u043d\u0442\u0435 \u0438 \u0410\u043b\u0444\u0440\u0435\u0434 \u0422\u0435\u043d\u0438\u0441\u044a\u043d \u2013 \u0441\u044a\u043f\u043e\u0441\u0442\u0430\u0432\u0438\u0442\u0435\u043b\u043d\u043e \u043d\u0430\u0431\u043b\u044e\u0434\u0435\u043d\u0438\u0435 \u0432\u044a\u0440\u0445\u0443 \u0434\u0432\u0430 \u043f\u043e\u0435\u0442\u0438\u0447\u0435\u0441\u043a\u0438 \u0446\u0438\u043a\u044a\u043b\u0430: <\/i><\/b><b><i>Gondal<\/i><\/b><b><i> \u043d\u0430 \u0415\u043c\u0438\u043b\u0438 \u0411\u0440\u043e\u043d\u0442\u0435 \u0438 <\/i><\/b><b><i>In<\/i><\/b><b><i>memoriam<\/i><\/b><b><i>\u043d\u0430 \u0410\u043b\u0444\u0440\u0435\u0434 \u0422\u0435\u043d\u0438\u0441\u044a\u043d\u201d<\/i><\/b>\u2013 \u0432: <i>\u041e\u0442\u0432\u044a\u0434 \u0434\u0443\u043c\u0438\u0442\u0435: \u043f\u0440\u0435\u0432\u0440\u0430\u0449\u0435\u043d\u0438\u044f\u0442\u0430 \u043d\u0430 \u0441\u043c\u0438\u0441\u044a\u043b\u0430<\/i>, \u0441\u0431\u043e\u0440\u043d\u0438\u043a \u0441 \u0434\u043e\u043a\u043b\u0430\u0434\u0438 \u043e\u0442 \u041d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u043d\u0438\u0442\u0435 \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u0438 \u0437\u0430 \u0441\u0442\u0443\u0434\u0435\u043d\u0442\u0438 \u0438 \u0434\u043e\u043a\u0442\u043e\u0440\u0430\u043d\u0442\u0438, \u041f\u043b\u043e\u0432\u0434\u0438\u0432 2004 \u0438 2005 \u0433., \u041f\u043b\u043e\u0432\u0434\u0438\u0432, 2006 \u0433., \u0441. 139-148. (<i>The Dichotomy GUILT-PARDON in the Vision of Emily Bront\u00eb &amp; Alfred Tennyson \u2013 A Comparative Study of Two Poetic Cycles: Emily Bront\u00eb\u2019s Gondal &amp; Alfred Tennyson\u2019s In Memoriam<\/i>)<\/p>\n<p><b>10. <\/b><b><i>\u201c\u041e\u0442\u043d\u0435\u0442\u043e\u0442\u043e \u0431\u044a\u0434\u0435\u0449\u0435: \u0437\u0430 \u0441\u0438\u0440\u043e\u0442\u0441\u0442\u0432\u043e\u0442\u043e \u0438 \u0437\u0430 \u0438\u043d\u0444\u0430\u043d\u0442\u0438\u0446\u0438\u0434\u0430 \u0432 \u043f\u043e\u0435\u0437\u0438\u044f\u0442\u0430 \u043d\u0430 \u0415\u043c\u0438\u043b\u0438 \u0411\u0440\u043e\u043d\u0442\u0435\u201d<\/i><\/b>\u2013 Scientific Researches of the Union of Scientists in Bulgaria \u2013 Plovdiv, series B. Natural Sciences and the Humanities, volume VI, Balkan Conference of Young Scientists, 16-18 June 2005 Plovdiv, Plovdiv 2006, pp. 177-184. (<i>Future Denied: On the Issues of Orphanhood and of Infanticide in Emily Bront\u00eb\u2019s Poetry<\/i>)<\/p>\n<p><b>11. <\/b><b><i>Architectonics of Responsiveness: The Discourse of Mortality in English Poetry of the Romantic Period (<\/i><\/b><b><i>\u0430 theoretical Survey)<\/i><\/b><i> \u2013 <\/i>(Inter)Cultural Communication, Annual International Conference, organized by The Paissij Hilendarski University of Plovdiv Bulgaria in collaboration with The Bulgarian Society for British Studies &amp; The Bulgarian American Studies Association, 3<sup>rd<\/sup> \u2013 5<sup>th<\/sup> November , 2006 \u0433., \u041f\u043b\u043e\u0432\u0434\u0438\u0432 (under print). Published in: Intercultural Communication (Proceedings of the International Conference of the Bulgarian American Studies Association and the Bulgarian Society for British Studies) \u2013 pp. 279-299, ISBN 978 \u2013 954 \u2013 796 \u2013 030 \u2013 5, Sofia: Polis Publishers, 2009.<\/p>\n<p><b>12. <\/b><b><i>Exasperating the Self: On the Applicability of the Term \u201cCrisis of Authorship\u201d in Lord Alfred Tennyson\u2019s Masterpiece <\/i><\/b><b><i>In Memoriam\u2020<\/i><\/b><i> &#8211;<\/i> International Conference of Young Scientists, Union of Scientists in Bulgaria, Young Scientists Club, Plovdiv, Bulgaria \u2013 June 14<sup>th<\/sup>-16<sup>th<\/sup> 2007; Scientific Research of the Union of Scientists in Bulgaria \u2013 Plovdiv, Series B. Natural Sciences and Humanities; Vol. IX, ISSN 1311-9192 (published in 2008); <b>pp. 66-76.<\/b><\/p>\n<p><b>13. <\/b><b><i>Interaction<\/i><\/b><b><i>, Collaboration<\/i><\/b><b><i>, Poetic<\/i><\/b><b><i> Rivalry<\/i><\/b><b><i>, or<\/i><\/b><b><i> the<\/i><\/b><b><i> Tripartite<\/i><\/b><b><i> Phenomenon<\/i><\/b><b><i> \u201cBront<\/i><\/b><b><i>\u00eb Sisters<\/i><\/b><b><i>\u201d<\/i><\/b> \u2013 \u041c\u0435\u0436\u0434\u0443\u0432\u0443\u0437\u043e\u0432\u0441\u043a\u0430 \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u044f \u043d\u0430 \u0421\u0430\u043d\u043a\u0442\u043f\u0435\u0442\u0435\u0440\u0431\u0443\u0440\u0433\u0441\u043a\u0438\u044f \u0434\u044a\u0440\u0436\u0430\u0432\u0435\u043d \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442, \u0420\u0443\u0441\u0438\u044f, 12-17\u043c\u0430\u0440\u0442, 2007 \u0433. (\u043f\u043e\u0434 \u043f\u0435\u0447\u0430\u0442). (Annual Derzhavin\u2019s Readings, University of St. Petersburg, Russia, 12<sup>th<\/sup> \u2013 17<sup>th<\/sup> March, 2007, under print).<\/p>\n<p><b>14. <\/b><b><i>\u0421\u0430\u043c\u043e\u043e\u0441\u044a\u0449\u0435\u0441\u0442\u0432\u044f\u0432\u0430\u043d\u0435 \u0438 \u043f\u043e\u0432\u0435\u0441\u0442\u0432\u043e\u0432\u0430\u0442\u0435\u043b\u043d\u0430 \u043e\u0442\u0433\u043e\u0432\u043e\u0440\u043d\u043e\u0441\u0442 \u0432 \u0440\u043e\u043c\u0430\u043d\u0430 \u201e\u0411\u0440\u0443\u043b\u0435\u043d\u0438 \u0425\u044a\u043b\u043c\u043e\u0432\u0435\u201d \u043d\u0430 \u0415\u043c\u0438\u043b\u0438 \u0411\u0440\u043e\u043d\u0442\u0435 \u2013 <\/i><\/b>\u0434\u043e\u043a\u043b\u0430\u0434, \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0435\u043d \u043d\u0430 \u043c\u0435\u0436\u0434\u0443\u043d\u0430\u0440\u043e\u0434\u043d\u0430\u0442\u0430 \u044e\u0431\u0438\u043b\u0435\u0439\u043d\u0430 \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u044f \u043d\u0430 \u0442\u0435\u043c\u0430 &#8220;\u041d\u0430\u0443\u043a\u0430\u0442\u0430, \u043e\u0431\u0440\u0430\u0437\u043e\u0432\u0430\u043d\u0438\u0435\u0442\u043e \u0438 \u0432\u0440\u0435\u043c\u0435\u0442\u043e \u043a\u0430\u0442\u043e \u0433\u0440\u0438\u0436\u0430&#8221;, \u0444\u0438\u043b\u0438\u0430\u043b \u043d\u0430 \u041f\u0423 \u201e\u041f\u0430\u0438\u0441\u0438\u0439 \u0425\u0438\u043b\u0435\u043d\u0434\u0430\u0440\u0441\u043a\u0438\u201d, \u0433\u0440. \u0421\u043c\u043e\u043b\u044f\u043d, 30.11-1.12.2007. \/<i>Self-Fulfillment and Narrational Responsibility in Emily Bront\u00eb\u2019s Wuthering Heights<\/i>\/, c. 228-234; ISBN: 978-954-8767-23-1.<\/p>\n<p><b>15. <\/b><b><i>Passing into Sense: Existential Parameters of the Symbolic Presence of <\/i><\/b><b><i>Water In Matthew Arnold\u2019s Poetry<\/i> \u2013 <\/b>\u041d\u0430\u0443\u0447\u043d\u0438 \u0442\u0440\u0443\u0434\u043e\u0432\u0435, \u041f.\u0423. \u201c\u041f\u0430\u0438\u0441\u0438\u0439 \u0425\u0438\u043b\u0435\u043d\u0434\u0430\u0440\u0441\u043a\u0438\u201d, \u0442\u043e\u043c 45, \u043a\u043d. 1, 2007, 181-193 (Annual Scientific Works of Plovdiv University in Bulgaria, vol. 45, book 1, 2007. \u0440\u0440. 181-193), ISSN 0861-0029 .<\/p>\n<p><b>\u00a0<\/b><b>16. G<\/b><b><i>lobal Anxiety: The Problem of Ageing in the Poetry of Tennyson, Browning, Arnold and Hardy \/comparative observations, hypotheses, analytic suggestions)<\/i> \u2013 <\/b>International BSBS conference at Sofia University, 7<sup>th<\/sup>-9<sup>th <\/sup>Nov 2008 Sofia, Bulgaria (forthcoming publication).<\/p>\n<p><b>17. <\/b><b><i>Abraham &amp; Kierkegaard: In Fear, In Trembling, or Simply, In Crisis?! The Ontological Parameters of the Problem of Authorship in S\u00f8ren Kierkegaard\u2019s Fear and Trembling (1843).<\/i> <\/b>International Conference of Young Scientists, 18-19 June 2009, Plovdiv. Scientific Research of the Union of Scientists in Bulgaria \u2013 Plovdiv, Series B. Natural Sciences and Humanities, Vol. XII, pp. 244-247, ISSN 1311-9192.<\/p>\n<p><b>18. \u00a0<\/b><b>The Young Tennyson Bicentenary Conference at Lincoln University, Lincoln UK<\/b><b>, 16-21.07.2009. <\/b>Title of paper: <i>Death and the Limits of Cognition in Tennyson\u2019s Early Poetry<\/i> \/publication forthcoming\/.<\/p>\n<p><b>19. <\/b><b><i>Madness and Insight in Alfred Tennyson\u2019s Monodrama Maud \u2013 <\/i><\/b>In: Trendafilov, Vladimir &amp; Vassileva, Irena (eds.).Proceedings of the 2007 BSBS and BASA Annual Conference at the South-Western University in Blagoevgrad, Bulgaria (9<sup>th<\/sup>-12<sup>th<\/sup> November 2007). Blagoevgrad. ISBN 9789546806178. Published in 2009. 87-100.<\/p>\n<p><b>20. <\/b><b><i>Memory, Truth and Method in Alfred Tennyson\u2019s In Memoriam (A Hermeneutic Approach). <\/i><\/b>Memory, Truth and Method Conference. South-Western University Neophit Rilsky, Bulgaria, 27-30.10.2009. Forthcoming publication.<\/p>\n<p><b>21. <\/b><b><i>Catherine-s and Pip-s: On the Hermeneutics of Selfhood in Wuthering Heights and Great Expectations. <\/i><\/b>\u0412: \u0415\u0437\u0438\u043a \u2013 \u041a\u0443\u043b\u0442\u0443\u0440\u0430 \u2013 \u0418\u0434\u0435\u043d\u0442\u0438\u0447\u043d\u043e\u0441\u0442 \u2013 \u0414\u0418\u041f\u041a\u0423 \u0412\u0430\u0440\u043d\u0430, \u044e\u0431\u0438\u043b\u0435\u0439\u043d\u0430 \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u044f \u043d\u0430 \u0428\u0423 \u201c\u0415\u043f. \u041a\u043e\u043d\u0441\u0442\u0430\u043d\u0442\u0438\u043d \u041f\u0440\u0435\u0441\u043b\u0430\u0432\u0441\u043a\u0438\u201d (Language \u2013 Culture \u2013 Identity, A Conference organized by Shumen University, Varna, Bulgaria) 7-8.11.2009<i>. <\/i>\u0412\u0435\u043b\u0438\u043a\u043e \u0422\u044a\u0440\u043d\u043e\u0432\u043e: \u0424\u0430\u0431\u0435\u0440. 2010. 247-54.<\/p>\n<p><b>22. <\/b><b><i>Hardy\u2019s Wars (On Wessex Poems, 1898, <\/i>and<i> Poems of the Past and the Present, 1901)<\/i><\/b>. \u041d\u0430\u0443\u0447\u043d\u0438 \u0442\u0440\u0443\u0434\u043e\u0432\u0435. \u041f\u0423. \u0424\u0438\u043b\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438 \u0444\u0430\u043a\u0443\u043b\u0442\u0435\u0442. \u0422\u043e\u043c 48, \u043a\u043d. 1, \u0421\u0411. \u0411, ISSN 0861-0029. 2010, 387-404.<\/p>\n<p><b>23. <\/b><b>Rowland, Yana. <i>MORTALITY AND THE THRESHOLDNESS OF COGNITION IN EARLY TENNYSON<\/i><\/b><b><i>. <\/i><\/b><i>2009. \u0422\u043b\u0435\u043d\u043d\u043e\u0441\u0442\u0442\u0430 \u0438 \u043f\u0440\u0430\u0433\u043e\u0432\u043e\u0441\u0442\u0442\u0430 \u043d\u0430 \u043f\u043e\u0437\u043d\u0430\u043d\u0438\u0435\u0442\u043e \u0443 \u0440\u0430\u043d\u043d\u0438\u044f \u0422\u0435\u043d\u0438\u0441\u044a\u043d. <\/i>\u0412:\u0415\u0437\u0438\u043a \u2013 \u041b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430 \u2013 \u041e\u0431\u0449\u0435\u0441\u0442\u0432\u0435\u043d\u0438 \u0438\u043d\u0441\u0442\u0438\u0442\u0443\u0446\u0438\u0438: \u041f\u0430\u0438\u0441\u0438\u0435\u0432\u0438 \u0447\u0435\u0442\u0435\u043d\u0438\u044f 2009. \u041f\u0423 \u201c\u041f\u0430\u0438\u0441\u0438\u0439 \u0425\u0438\u043b\u0435\u043d\u0434\u0430\u0440\u0441\u043a\u0438\u201d, \u041d\u0430\u0443\u0447\u043d\u0438 \u0442\u0440\u0443\u0434\u043e\u0432\u0435. \u0422\u043e\u043c 47. \u043a\u043d. 1. \u0421\u0431. \u0411. ISSN 0861-0029. \u041f\u043b\u043e\u0432\u0434\u0438\u0432. \u0418\u0437\u0434\u0430\u0442\u0435\u043b\u0441\u0442\u0432\u043e \u043d\u0430 \u041f\u0423 \u201e\u041f\u0430\u0438\u0441\u0438\u0439 \u0425\u0438\u043b\u0435\u043d\u0434\u0430\u0440\u0441\u043a\u0438\u201d. 29-42.<\/p>\n<p><b>24.\u00a0<\/b><b>\u201cI seek freedom from myself\u201d: Existential Restlessness in R. K. Singh\u2019s <i>Sexless Solitude and Other Poems<\/i>. <\/b>In: (ed.) Singh, Rajni. R. K. Singh\u2019s Mind and Art. A Symphony of Expressions. New Delhi (INDIA): Adhyayan Publishers &amp; Distributors. 2011. 46-63.<\/p>\n<p><b>25. <\/b><b><i>The Reception of Tennyson in Bulgaria<\/i><\/b><b>. <\/b>Research Colloquium at King\u2019s College London, 15<sup>th<\/sup> Oct 2011. Forthcoming publication (as part of the Reception of British Authors in Europe Series).<\/p>\n<p><b>26. <\/b><b><i>The Case of Tennyson\u2019s Idylls of the King in Bulgarian<\/i>. <\/b>\u042e\u0431\u0438\u043b\u0435\u0439\u043d\u0430 \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u044f \u043d\u0430 \u0428\u0423 \u201e\u041a\u043e\u043d\u0441\u0442\u0430\u043d\u0442\u0438\u043d \u041f\u0440\u0435\u0441\u043b\u0430\u0432\u0441\u043a\u0438\u201d. \u0428\u0443\u043c\u0435\u043d. 13-14.09.2011. \u041f\u043e\u0434 \u043f\u0435\u0447\u0430\u0442.<\/p>\n<p><b>27. <\/b><b><i>The Reception of Tennyson\u2019s Enoch Arden in Bulgaria<\/i>. <\/b>Peregrinations of the Text Conference, Sofia University St. Kliment Ohridski University, 5<sup>th<\/sup>-6<sup>th<\/sup> November 2011. Forthcoming publication.<\/p>\n<p><b>28.\u00a0<\/b><b><i>Tennyson and Geo Milev<\/i><\/b><b>. <\/b>Annual Paisiy Readings, School of Letters, Plovdiv University Paisiy Hilendarski, 3<sup>rd<\/sup>-4<sup>th<\/sup> November 2011. Forthcoming publication.<\/p>\n<p><b>\u00a0<\/b><b>Last updated: 17<sup>th<\/sup> July 2012<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>LIST OF PUBLICATIONS AND RESEARCH PAPERS \u00a0Dr YANA ROWLAND Senior Lecturer in English Literature English Department Plovdiv University, Bulgaria \u00a0Published monograph: Rowland, Yana, The Treatment of the Themes of Mortality in the Poetry of the Bront\u00eb Sisters (Plovdiv University Press, &hellip; <a href=\"https:\/\/blogs.uni-plovdiv.net\/englishdept_slovo\/?page_id=727\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":32,"featured_media":0,"parent":445,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"onecolumn-page.php","meta":[],"categories":[],"_links":{"self":[{"href":"https:\/\/blogs.uni-plovdiv.net\/englishdept_slovo\/index.php?rest_route=\/wp\/v2\/pages\/727"}],"collection":[{"href":"https:\/\/blogs.uni-plovdiv.net\/englishdept_slovo\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.uni-plovdiv.net\/englishdept_slovo\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.uni-plovdiv.net\/englishdept_slovo\/index.php?rest_route=\/wp\/v2\/users\/32"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.uni-plovdiv.net\/englishdept_slovo\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=727"}],"version-history":[{"count":3,"href":"https:\/\/blogs.uni-plovdiv.net\/englishdept_slovo\/index.php?rest_route=\/wp\/v2\/pages\/727\/revisions"}],"predecessor-version":[{"id":729,"href":"https:\/\/blogs.uni-plovdiv.net\/englishdept_slovo\/index.php?rest_route=\/wp\/v2\/pages\/727\/revisions\/729"}],"up":[{"embeddable":true,"href":"https:\/\/blogs.uni-plovdiv.net\/englishdept_slovo\/index.php?rest_route=\/wp\/v2\/pages\/445"}],"wp:attachment":[{"href":"https:\/\/blogs.uni-plovdiv.net\/englishdept_slovo\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=727"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.uni-plovdiv.net\/englishdept_slovo\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}