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Contents of Issue 7

Foreword

I. Linguistics

Early Attempts to Codification of the Legal Norms of the Bulgarian Literary Language (with a View to the Reduction)

Plamena Koleva

Main Semantic Realisations of the Present Passive Participle in Contemporary Bulgarian Language – the Meanings Passivity and Possibility

Diana Markova

Doublet Accusative and Dative Personal Pronouns men and mene, teb and tebe according to Bulgarians’ Language Sense

Kalina Sholeva

On the Interchangeability of the Bulgarian Summative Pronouns vsichki, vsichkite and tselite

Diana Androva

Dependent Clauses in the Position of the Predicative – Specifics and Classification

Ivana Kuneva

Realizations of Blending as a Process in Youth Slang

Tanya Todorova

Psycholinguistic and Intercultural Aspects of the Concept of Time in Some Languages

Gabriela Damyanova

Adverbs of Time and Place in Modern Bulgarian and Turkish

Ismail Nurula

About Similes with Tertium Comparationis smart/stupid in Bulgarian Language (in Comparison with Modern Greek)

Gergana Nikolova

Iterative Verbs in Bulgarian and Their Analogues in Polish

Kristiyan Boshulski

Verbs of Motion Used in a Figurative Sense (Russian-Bulgarian Parallels)

Gabriela Valcheva

Notes on the Question of the Joint Use of Verb Forms in Spanish and Bulgarian Compound Sentences

Polina Tabakova

To the Question of the Concepts of Memory and Text (in Scientific Literature in Russian and Bulgarian)

Kristiana Koleva

How Ai Could Transform Medical English Linguistics: Biomedical Text Tokenization with Biobert of the Disease is Enemy Metaphor

Slaveyah Goranova

LITERARY STUDIES

Parody and Irony in the Genealogy of Gargantua and Pantagruel

Adriana Andreeva

Interpretation of the Word will from Sonnet 135 by William Shakespeare in Four Bulgarian Translations

Nevena Mileva

Beginnings and Births through Death: a Heideggerian Reading of the Child’s Consciousness of Time in Charles Dickens’s David Copperfield

Kristina Yasenova

„The Beautifull Cassandra” from Jane Austen – a Parody of the Parody in Novel for Entertainment

Kristin Dimitrova

Frankenstein–Shelley’s Cat

Milen Kolev

The Silent Wave and the Face of the Water in “The Lover” by Marguerite Duras

Maria Gencheva

Autotextual Leitmotifs: Thomas Mann

Ivan Georgiev

Thomas Mann’s Novel “Buddenbrooks” between Classical Realism and the Naturalism of Modernism

Samuil Radilov

Power in the Works of George Orwell. The Panopticum in Literature and in Reality

Tihomir Alexiev

The Problem with the Children’s Empirical Knowledge in the Book Series “Patilansko Tsarstvo” by Ran Bosilek and The Novel “Emil of Lönneberga” by Astrid Lindgren

Alis Dimisheva

To Spin Your Destiny: Observations of “Starite Momi” by Atanas Dalchev and “Pesen na Predachkite” by Elisaveta Bagryana

Lydia Vasileva

Sin and Self-Destruction in the Novel “Sin” by Georgi Raychev

Denitsa Petrova

Aspects of the Pathology in Blaga Dimitrova’s Novel „Face“

Bozhana Boneva

The Bloom of the Desert. The Matter of the Mission of the Artist in the Novel „The Green Grass of the Desert“ by Diko Fuchedzhiev

Boris Biserov

Manifestations of Neorealism in the Novella “Alienation” and the Screenplay “A Peasant on a Bicycle” by Georgi Mishev

Ivan Savov

Desemantization of the Aesthetics of Decadence in “The Crimson Book of Blushing” by Lyubomir Milchev

Silvia Nikolova

Modeling of the Man from the One State in the Novel “We” by Y. Zamyatin

Ivan Ananiev